Current Past Upcoming
CHRIS SUCCO: The Soft Machine15.03.2013 - 27.04.2013
LAPSES : Olga Cafiero, Clare Kenny, Sebastien Verdon
18.01.2013 - 02.03.2013
SARAH CROWNER: Geometric Park
02.11.2012 - 11.01.2013
THOMAS BONNY: I'm Still Here
14.09.2012 - 27.10.2012
RUBY SKY STILER: A Punch, a Blade, a Pointed Hammer
04.05.2012 - 28.06.2012
LA LOGE curated by Denis Pernet
16.03.2012 - 14.04.2012
HADRIEN DUSSOIX: Disclosed Process
20.01.2012 - 10.03.2012
JEAN-BAPTISTE BERNADET: Réservoir
19.11.2011 - 14.01.2012
LAURENT KROPF: Allegro ma non troppo
16.09.2011 - 12.11.2011
DARK VISION: Group show
08.07.2011 - 03.09.2011
JOSSE BAILLY: Put Your Brushes Where I Can See Them
20.05.2011 - 02.07.2011
CHRISTIAN GONZENBACH: Holometabolic
18.03.2011 - 14.05.2011
UNDER CONSTRUCTION: Group show
21.01.2011 - 12.03.2011
EVAN GRUZIS: Rough Boy
13.11.2010 - 15.01.2011
GARY SIMMONS: Double Feature
17.09.2010 - 06.11.2010
FURER & SERRATI: Perpendicular to the Galaxy
21.05.2010 - 15.07.2010
HADRIEN DUSSOIX: Beyond Good & Evil
19.03.2010 - 08.05.2010
HENRIK STROMBERG: Vanishing
22.01.2010 - 06.03.2010
DAVID MALEK: Safety Yellow
13.11.2009 - 16.01.2010
ROBERT LONGO: No Wave
18.09.2009 - 07.11.2009
GEAN MORENO & CELINE PERUZZO: Gardy Loo!
15.05.2009 - 04.07.2009
JOYCE KIM: Paintings
20.03.2009 - 07.05.2009
ROMINA SHAMA: Run
04.12.2008 - 24.01.2009
JOSSE BAILLY: Hard Attack
30.10.2008 - 29.11.2008
SAKS presents the first solo show in Switzerland of New York artist Evan Gruzis : Rough Boy.
Visually striking, Evan Gruzis' ink paintings on paper demonstrate a virtuosic use of the fluidity of the medium in creating seemingly-photographic black and white visions.
Gruzis stages the visual vernacular of pop culture he filters through a dystopian Los Angeles aesthetic. Revisiting "California cool" and dark New Wave themes – palm trees, sunsets, wayfarer sunglasses, digital clocks and prescription drugs – alongside art historical motifs such as still-life and abstract compositions, Gruzis opens to the viewer the panorama of an imagery sprung from kitsch loaded Hollywood beauty in an atmosphere reminiscent of 1980s.
The artist dramatizes the content of his images through the use of light effects, thinking and almost sculpting his compositions in terms of contrasts. White and black areas separate and merge into achromatic gradations which serve as background for the subject, as well as becoming subject themselves.
Extreme technical control combined to this vacuity in the choice of subject matter, result in new clichés tinged with satire.
Beyond "aesthetic for aesthetic's sake", the real content of Evan Gruzis' work is 'looking at looking' : the view of the artist is superimposed on the vantage of the viewer, a living "mise en abîme" in which the viewer's gaze is seduced while experiencing the fear of the absence of meaning.







